2. Oh! Darling
3. Hey Bulldog
7. Yer Blues
10. Paperback Writer
It's interesting that my favorites are mostly middle and late period songs. Did Paul actually get more innovative as they went along? Were the later songs more innovative, thus inviting cooler basslines? Is the bass tracked louder onto the later music so I'm just more aware of it? Hmm.
And as always, what am I forgetting?